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A tall man in his mid-forties with long wavy hair, a full beard, and round glasses, Richard Griffith has something of a troubadour’s air about him, which is appropriate given his status as a full-time lutenist. Since live lute music is no longer the draw it was five hundred years ago, Griffith has added a few extras to his act: poetry, prose, and prestidigitation. To the extent that the Upper Midwest has a market niche for a lute-playing illusionist, Richard Griffith owns that niche.