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May 16, 2008
Gray Matters RSS Feed
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Your Take
Gray Matters
The Films of Carlos Reygadas
A good spectator goes to the cinema to live, not to forget.
by
Erik McClanahan
In Defense of Street Art
Every artist must follow his vision, wherever it may lead, even into alleys and train yards.
by
Josh Mattson
,
artwork by Josh Mattson
Return of the Great White Way
Dave Kenney’s
Twin Cities Picture Show
brings lost movie palaces back to life.
by
John Ervin
,
photos courtesy of the
Minnesota Historical Society
With Liberty and Luxury for All
The new spin on trickle-down economics
by
Julie Caniglia
,
photo courtesy of the ivy hotel
Stop the Clock
Mike Melman trains his lens on the Iron Range.
by
Brad Zellar
,
photos by
Mike Melman
Oh, Our Wretched Uteri
How the birth control pill became a lifestyle drug
by
Christy DeSmith
Film
The Insanely Eupeptic
Are the Coen Brothers finally getting serious?
by
Peter Schilling
,
photo by Richard Foreman / Courtesy of Miramax Films
Film
The Devil Wears Nada
On the trail of Diablo Cody, from Minneapolis strip clubs to the Hollywood red carpet
by
Rob Nelson
Music
Honorable Exit
Dying well is the best revenge.
by
Britt Robson
,
photo by Darryl Pitt
Theater
Plays on Location
The opposite of big-box theater
by
Christy DeSmith
,
Photo by Willis Bowman
Performing Arts
Twenty-first Century Big Top
Exploring the symbiotic relationship between circus and dance
by
Linda Shapiro
,
photo courtesy of Bill Gilbertson Photography
Books
Holiday in Cambodia
Greetings from the most hellish places on earth
by
Brad Zellar
Film
The Mystery of the Girl Who Didn’t Care
Filmmaker Andrew Fleming resurrects Nancy Drew to take on the mean girls.
Sorry, you need to install flash to see this content.
by
Jon Lurie
,
Photo by Elizabeth Barba
Music
Second Chance for Third Second
Internet collectors unearth a long lost Twin Cities recording.
by
Brad Zellar
,
illustration by Hugh Bennewitz
The Sex Lives of Your Neighbors
Citizen journalists provide news you can use.
by
Greg Beato
A Room of His Own
Men stake their claim on domestic space
by
Jon Lurie
“Look at me—I’m OK.”
What today’s CEO portraits are really saying
by
Jennifer Vogel
,
Photo by by Doug Knutson / knutsonphoto.com
Film
One for the Sons of Bitches
Exploring the history of the oddest Oscar of them all.
by
Peter Schilling
,
illustration by Jason Greenberg
Theater
Big Box Theater
Searching for a great night of drama — at the Guthrie and at more modest venues.
by
Alan Berks
Not Just for Breakfast Anymore
Before Bachmann ... There Was Bryant
by
John Ervin
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