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Yo, Ivanhoe - Fiction by Brad Zellar
One More Cup of Coffee for the Road: In Another Lifetime

One More Cup of Coffee for the Road: In Another Lifetime

Submitted by Brad Zellar on Wednesday, March 5, 2008

Long, long ago, in the sweltering twilight of an August night roaring with cicadas and the vacuum hum of a lazy small town in retreat from the heat and the falling darkness, the yards and sidewalks abandoned for living rooms and television sets (the wobbling blue screens of which we could see through the dark, otherwise blank window frames and the gauzy, fluttering filter of curtains), I bucked you across town through the empty streets on my stingray bike.

We were hunched together on my sparkling blue banana seat; I was pedaling furiously and you were clinging to the sissy bar. I wished you had been clinging to me, wished you would put your arms around my chest, but it was nice to feel you there behind me all the same, nice to hear your laughter (all the wonderful variations of your wonderful laugh) ringing out over the silent neighborhoods and your voice at my ear and your breath in my hair.

I don't know, can't remember, where we were going. We weren't, though, going to the Dairy Queen, where everyone else always seemed to be going and where the moths were in full swirling frenzy around the streetlamps in the parking lot. We were headed, I'm sure, elsewhere.

We were in search of what you called a grassy horizontal, and we had darkness in mind, I think, and so we'd ride out to where the futile over-light of that shitty little town gave way suddenly to a great stretch of emptiness, where the pavement turned to gravel, where there were fields rolling away into the distance, and where there was a muddy creek and there were railroad tracks and trains (which sounded, you said, like iron waterfalls, and which I've always said sound like something heavy being carried away) crawling off into the night, out into an America we could only then imagine.

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But which we did imagine, together, breathlessly, with ridiculous hope and optimism. That place was where we knew we would eventually have to go to make our escape, to complete the process of becoming, to find ourselves even as we lost each other.

That was also the place, the place beyond our close little world whose secrets and sadnesses we felt certain we had already divined, where we would one day, through exactly the sort of occasional miracle this world is still capable of delivering, find each other again.

I am still, every day, my sister, my old friend, stunned by this miracle, still gratefully puzzled by my bounty of blessings entirely undeserved. And now it always seems to be that same magic dusk I remember, and I find myself once again in the position of trying to talk you onto the back of my stingray bike, trying to convince you to ride with me out beyond the false, feeble light of that low town, away from and out from under the people we have allowed ourselves to become; trying to get you to slow down and to listen again to the roaring silence and the moving water and the watch-winding racket of insects throbbing from the ditches, and to lie on your back with me marveling at the stars and the heat lightning trembling down the dark sky across the fields.

Another One from the Mothballs: The Art of Indexing

Another One from the Mothballs: The Art of Indexing

Submitted by Brad Zellar on Monday, March 3, 2008

I always thought it would be interesting to attempt to tell the story of your life purely in index form. I tried it once, without a whole lot of success. I'm sure there are others out there like me, though, people for whom the indexes of thick biographies are often better and more fascinating reading than the books themselves.

I was obsessed with indexing for a time. I acquired and pored over scores of books on the subject (H.B. Wheatley's How to Make an Index from 1902, A.L. Clarke's Manual of Practical Indexing from 1905, Robert L. Collison's Indexes and Indexing from 1959, among others). I even paid way too much money to acquire a copy of Der Index der Verbotenen Bucher (1899), which was in a language I do not read, and appears to have no practical bearing on my own interest in the subject. The great indexers are legendary obsessives. In 1848 a man named William F. Poole published a book called An Alphabetical Index to Subjects Treated in Reviews and Other Periodicals to Which No Indexes Have Been Published.

In his more recent Explorations in Indexing and Abstracting, Brian C. O'Connor poses the single most relevant question regarding the indexer's art: "Can we design systems that detect the treasure for each user?" Perusing indexes it's clear that every indexer worth his or her salt brings to this question a deeply personal set of priorities and proclivities. Check it out some time; it's fascinating to see what sorts of bizarre minutiae an indexer will choose to extract from a book's tangle of detail and incident.

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I've been collecting these minutiae for years. Here's just a small sampling (and I would, of course, welcome any interesting contributions you might have stumbled across):

From Margaret Drabble's Angus Wilson: A Biography:

Fear of falling, 556, 592; tendency to fall, 599, 601; lack of sense of balance, 603, 604; serious fall, 623-4; in nursing home, 642-3.

 

From Gerald Clarke's Capote: A Biography:

Dancing of, 58, 101, 102; eavesdropping and snooping of, 180-81, 206-7, 294; as love life advisor, 166, 168; sleepwalking of, 44; Montalban, Ricardo, 298.

 

From Donald Spoto's The Dark Side of Genius: The Life Of Alfred Hitchcock:

Gastronomic Life: potatoes, 14; three-steak meal, 187; gulping, 412; Personal Life, Habits, Attitudes, and Traits: mustache, 95; woman in the back of a taxi, 162, 374, 432, 433, 531; destruction of crockery, 187, 192; interest in strangling, 353, 527; spiritual transvestism, 432-33.

 

From William Manchester's Winston Churchill biography, The Last Lion:

Silk underwear for skin sensitivity, 399; national crisis while bathing, 418-19; attitude while playing polo, 241-42; skin donation to wounded soldier with Kitchener, 283; bricklaying, 776, 883.

 

From John Baxter's Bunuel:

Death, fascination with, 15, 24; menagerie, 14; obsessive punctuality, 183; orgies, participation in, 116-17; phone, hating, 295; pistols, fascination with, 202-3.

 

From David Sweetman's Van Gogh: His Life and His Art:

Tooth trouble, 203, 262; wears candles in hat, 278; throws glass at Gauguin, 289; razor attack on Gauguin, 290, 306; kicks attendant, 307.

 

From Steven Naifeh and Gregory White Smith's Jackson Pollock: An American Saga:

Beguiling smile of, 2, 4, 94, 808; dimples of, 2-3, 44, 161, 808; drunken binges of, 2-3, 6, 7, 117, 120, 168, 170, 197, 212-14, 247-48, 249-50, 255, 266-67, 294-95, 296-98, 302, 306, 310-11, 314, 335-36, 359-60, 448, 449, 491, 572, 669-71, 686, 844; fights provoked by, 6, 140-41, 145, 204, 212, 228, 247-48, 265, 267, 297, 302, 310, 350, 481, 488-89, 498, 570, 572, 715, 755, 900; mouth harp played by, 208, 220, 247, 833, 834; urinary habits of, 50-51, 469, 478, 489, 541, 612, 671, 753, 760, 762, 770, 788, 813, 818, 867, 876, 904; weeping of, 249, 297, 581, 740, 763, 770, 778, 782, 787, 901, 904; Ives, Burl, 170, 828.

 

From Mary Tyler Moore's After All:

Richie's rescued pigeon, 208-210; assassination threats, 269-71; Blue Chip stamp collecting, 382-83; crossword puzzles, 383; Gomer Pyle, 113; hitting bottom, 349-50; mother's addiction to pinball machines, 12-13; as inept liar, 279-82; O'Neill, Tip, 280, 281; Kershaw, Doug, 236; Busey, Gary, 207.

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