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Yo, Ivanhoe - Fiction by Brad Zellar

Crow, October

Submitted by Brad Zellar on Tuesday, October 30, 2007

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October, before it had

a name. Still, though, a month of

low iron skies and protracted

sulks and cold rain and bursts

of crisp radiance that never

lost their ability to

dazzle and surprise.


A flash of revelation

even as the hammer fell:

We will miss this world

when it's gone, or

when we are.

Same difference.


The crow, I've been told,

spoke first in the New World,

gave the truth its first

utterance. And the truth it

spoke was as blunt as

it was timeless: Hey,

numbnuts, it said.

Hey, hey.

Look here.

Listen up.

Here I am,

and there

you are.

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Fractured Jib-Jabbery Of The Usual Sort

Submitted by Brad Zellar on Monday, October 22, 2007

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Snapshots from a drive home from work while listening to the new Ween album, which is fantastic if you like Ween, and I do:

Three shiny balloons trapped in the branches of a tree above a baseball diamond.

A long strip of aluminum foil tumbling like an acrobatic hallucination down the middle of LaSalle Avenue.

A shirtless man wearing a sombrero and laughing ecstatically while trotting along beside a prancing little dog outfitted (I'm guessing against its will) in a purple vest.

An old woman, holding a little girl's hand at a street corner, bending down to clearly hiss something in the girl's ear, and then whacking her on the head with what appeared to be a Bible.

A fireman dozing off in a lawn chair in front of a fire station.

An awkward young woman alternately lurching and tip-toeing along on roller blades.

A teenage boy sucking a hickey into his girlfriend's neck at a bus stop bench.

Mormons on mountain bikes, poking through things at a garage sale.

A pitiable spectacle involving an ancient hunchbacked man and a microwave oven he was apparently trying to carry home.

Two hearses lined up at the entrance to a senior citizen center.

A man I recognized as my old friend Clammy Reese, wearing threadbare golf togs and toting a bag of clubs, standing at a busy intersection with a sign that read: "Indulge me, why don't you? Winter's coming and green fees ain't free. God bless you, I guess."

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A sandwich shop with this modest slogan painted on the window: "The Best Sandwiches We Know How To Make --That's A Promise!"

Hundreds of geese in a supermarket parking lot, from the looks of things holding some kind of meeting, probably having to do with a planned trip south. Do geese in fact fly south for the winter? I don't know why they wouldn't.

An inexplicable billboard: "Music is Not a Priority in Unhappy Lives."

An morose-looking young mother watching her two children burying themselves in the playground sand, and thinking (or so I imagined): "Deeper."

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Questions

Submitted by Brad Zellar on Wednesday, October 17, 2007

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What are the essential songs for a first-rate jukebox?

If you were to find yourself locked up for the rest of your days with a trio of fourteen-year-olds and a bunch of musical instruments and amplifiers would you join the band or bash out your brains with a tambourine?

Have you ever heard clearly conspiring voices outside your bedroom window at four a.m. and felt yourself utterly devoid of curiosity or alarm?

Was there, I often wonder, a great pioneer of profanity? Who coined all those marvelous curse words, or first used them in a pejorative sense? I'd like to make that asshole's acquaintance. I'd love to have known that fucker. I'd be proud as hell to shake that shitheel's hand.

Chandler or Hammett?

Chaplin or Keaton?

Cary Grant or Jimmy Stewart?

Fitzgerald or Hemingway?

Basie or Ellington?

Frank Sinatra or Tony Bennett?

Rolling Stones or the Beatles?

Charlie Watts or Ringo Starr?

Replacements or Husker Du?

Howard Hawks or Preston Sturges?

Wodehouse or Waugh?

Spring or Fall?

Audrey Hepburn or Grace Kelly?

New York or Paris?

Sherman or Grant?

Sam Phillips or Phil Spector?

Lewis or Martin?

Williams or Dimaggio?

Mantle or Mays?

Leonard or Duran?

Mitchum or Lancaster?

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SCTV or SNL?

Maurice Sendak or Dr. Seuss?

Baseball or football?

Beethoven or Bach?

Mozart or Mahler?

Joe Strummer or Mick Jones?

Costello or Presley?

Milton or Dante?

Nancy or Sluggo?

Pepsi or Coke?

Cat or dog?

Now or later?

Friend or foe?

Yes or no?

This or that?

Who or who?

What or what?

The Making Of Ezro

The Making Of Ezro

Submitted by Brad Zellar on Thursday, October 11, 2007

 

I slid unwelcome into this world,

unbroken, but battered by the disappointment

of those to whom I was delivered.

I scrambled above their unhappiness

and learned to believe.

I found a place to stand,

and kept moving.

I had one man's truth, and flung it

like a stone at this world.

I cried in the moonlight beside

damp fields. I was a young man,

and heard the midnight dogs of your

towns as if they were monastery bells.

You cannot imagine how lovely your world

looked from the outside, how moved I was

to hear radios playing in the dusk.


My ignorance was immense. The weight

of my tiny life made me a bowed spectacle.

Your libraries were sanctuaries, a refuge

from the puzzle. I let myself go too far

beyond what you could make the effort to

understand. I knew I was a reminder of

something, shambling among you, dirty because

clean was your world. You yanked your children

around me on the sidewalks, invented

your own strange versions of my journey.

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But your children never forgot me.


My message was how far I had traveled,

how far I would travel still,

that a man could so believe that he could

wander so long with the truth snaking through

all manner of transformations in his

dull, plodding heart, and slithering so

slowly toward his waiting tongue.

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Ezro

Submitted by Brad Zellar on Monday, October 8, 2007

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Most nights Hurley would sit up late, drinking, and would fall asleep looking for God. He heard leaves falling and trapped, swirling, in the alley out back. And then: the rattle of piss beneath his window and someone warbling a sad song.

Some days he saw gulls, so many gulls, with no water anywhere around, behaving in a peculiar and beautifully aloof manner, yet sometimes almost as if they had orders.

Hurley liked to think he knew well enough when to turn away, and when to sit quietly and let the world go.

The truth is, no, that wasn't true.

He remembered the ragged man who used to wander the streets of his old hometown, talking about Jesus and feeding the birds in the courthouse square. Sometimes the man carried a sign: "Ask me about Hell! I've been there!" Other times the man would talk to himself and laugh, his laughter sounding to Hurley like a marvelous secret that had been whispered in his ear by luminous larks in some long ago darkness.

There were many people in that town, Hurley's mother had once told him, people who were likely as decent and befuddled as Ulysses S. Grant, and as capable of murderous resolve when push came to shove. Hurley's mother was a fan of the War Between the States --"fan" was the word she used. She had a large collection of books on the Civil War. Some days when Hurley came home from school his mother would be slumped at the kitchen table, and she would hiss at him between her long fingers, "Don't fuck with me!"

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There had never been anything cognate to anchor him, or so had once claimed an advocate from the state, speaking in some official capacity on Hurley's behalf.

He was just a boy. His hand was unsteady. His mother had asked him to draw color across her lips.

Am I pretty? she'd asked. Isn't that better?

It looked awful against the gray. He wanted to smother her, and would have, but the minister who was holding her hand had smiled and winked at Hurley across the bed.

The last night he slept in that house, watched over by a stranger dispatched by the usual bland kindness, the Jesus man became for him a prophet of his imagination, Ezro, hobbled, a man for whom the world and its suffering and shattering light were irresistible. Time and again Ezro appeared in Hurley's dreams.

They took Hurley away for a time, then let him go. Accused, he guessed, of being no longer young. They thought pills would keep him among the living, a visit now and then with a glum, fat bastard with a basement full of model trains and a tiny, precisely-detailed world for them to rattle through. Cows that never moved. A mailman who was paralyzed at the exact moment he raised his hand to wave.

Hurley did what he was asked and dug for a time, never satisfactorily, never deep enough.

Pride, generally, damned the angels, or at least those that managed to get themselves damned. The fat man accused Hurley of being too proud to dig. Hurley didn't think that he deserved to be damned for not digging deep enough.

And still Ezro appeared in his dreams.

He saw him in the moonlight, weaving along a dirt road huddled under a pine casket. And every morning Hurley would go out into the world where once Ezro had cried and rejoiced, rejoiced and cried.

And he thought: I could do that.

He thought: Shit, I could surely do that.

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