Month: February 2007

  • House of Anything You Wish

    I came here to lose. But the wheel won’t let me.

    Once again I pile all of my chips on three. People gasp. What are the odds for winning eight straight-ups in a row?

    Fools! Don’t they know wheels do not hold memory? That math and luck never go together? With roulette, every spin is new. Probability is as whimsical as life. Who would believe three is not even my lucky number?

    You’d sneer at me, Mei. Superstitious, you’d say. But how can I not think that way? On March third, you walked out on me with our three-year-old son. Three years ago, you enrolled in Queens College to study English and computer science, and things began to go downhill.

    Nonsense, you’d say. It has nothing to do with school.

    But it does. How else could I explain your change of heart? I’m still the same Tiger Fan you loved seventeen years ago. Your mother threatened to disown you for going out with a guard soldier from the countryside. Your father pointed his gun at us when he caught me in your room. But nothing could stop you from loving me. You left your mansion without looking back and took the train with me all the way to the Pearl River. On the bank, we looked through the mist at Hong Kong on the other side. If we swam across, we’d be free. It would have taken only four hours. You shook your head, said you sank like a rock in water. But I knew you couldn’t bear bringing your family down further. Once you crossed over, you’d be an enemy of China. Even if your father denounced you, his military career would be over. At the border town, you slid a Swiss watch into the registrar’s sleeve and got our marriage certificate stamped. You sealed the red paper into a plastic bag and zipped it into my pocket, together with sixty U.S. dollars. How you got the money is still a mystery to me. If you make it, Tiger, you cried, hugging my neck, if we meet again, we’ll never part, dead or alive.

    Seventeen years later, you laid quietly on your side of the bed in our Chinatown home. So quiet I couldn’t hear you breathe.

    “Do you remember, Mei,” I asked in the dark, “do you remember?”

    “I was young, a foolish sixteen-year-old,” you finally mumbled.

    I don’t believe it. How can you forget? The scars are there, on your belly, chest, limbs, scars you burnt through the skin to keep me in your heart. Twelve years you waited, though no mail or phone could reach you from Hong Kong. Your family forced you to move on. Tiger Fan is long dead, your father announced. He’s married another woman and has children, your mother said. They brought you a troop of bachelors with great prospects for the future. But you faked insanity and checked yourself into a mental hospital.

    And you couldn’t possibly forget the day we met at JFK! The tears we shed without shame, the joy over our first condo on Bayard Street, our first car, my store on Broadway, your green card …

    Remember the birth of Jia?

    But your ears shut down as soon as I started telling you how I almost drowned in the Pearl River, starved on the streets of Hong Kong, my spirit shattered from working sixteen hours a day, seven days a week in restaurants and antique stores until I saved enough for New York. Useless to point out how I burnt my bridges applying for a green card as a political refugee so that you could come legally, as my wife.

    “Sorry, I no longer speak Chinese.” This is all I could get out of you after I spilled my guts.

    The wheel shudders, stops at three. The dealer clears the chips from the losers, then stacks them up next to my bets. Thirty-five to one. How much have I won? Do I even care? Such dead silence around the table—all eyes wish me dead. I wish myself dead. I came to forget, but everything in this room—its Chinese name, Chinese customers, Chinese managers, and the damn Ping’s Noodle in the corner—stirs up memories. Even the dealer looks like your twin sister. How her almond eyes glow like embers!

    Those ember eyes of yours, Mei. They used to melt me with each blink. Now they spew hate and hunger. How did that happen? What made you start speaking English at home? First with our son, then with me, even when I laughed, mocked and begged you to stop. I can humor every whim of yours, but not this, not at home. After twelve hours of twisting my tongue to please tourists in my store, I need to feel like a person again. Is it too much to ask? Aren’t we still Chinese?

    “We’re New Yorkers now,” you said. “Let’s speak like New Yorkers, our first step to success. Look around, Tiger. Do any of your friends live in this ghetto? No! I’m not saying we should live in SoHo like Master Yao and his artist friends. But even Yingying and Bunny Song live somewhere else, although they can barely afford a meal in a cheap restaurant!”

    I’m successful, too, just like everyone else, I almost shouted. I built my antique store from scratch in the heart of Chinatown. Do you know that every square inch of land here is worth more than gold, and our condo on Bayard Street is just as valuable as the loft in SoHo? Do you know Master Yao spent more time in my little store on Broadway than in his own grand studio? But the smirk on your lips stopped me cold. Since when did you pick up that white man’s look? I wish I could smack it off your face, once and for all.

    “Dump that bitch, fast,” my friends say. “She’s your ill star, bringing you nothing but misfortune since you met her. She’s not even pretty, jaw too square, cheeks too high, signs of a man-killer. You’re still young, only thirty-five. With your looks and money, you can pick the most beautiful girls from Chinatown or Flushing.”

    It’s true that women flock to my bed like moths to a light. Singles, divorcees, married women with husbands on the mainland, all beautiful and young, eager to please. They scream and writhe in my bed. They call me a true tiger and make me feel like a man. But as soon they’re out my door, I get sick to my stomach. I don’t know what they’re after, my money or my American passport. Probably both.

    Ah, here comes another spin. My tablemates move their bets around as the ball leaps and rolls over the slot. Some pinch their chips between their fingers, waiting for me to make a move. I count out thirty-five chips and place them carefully on thirty-three.

    Yesterday was your birthday. I made six dishes—three vegetarian and three seafood, your favorites—and a chocolate cake for our son Jia. I thought the little banquet might cheer you up. You often get depressed on your own birthdays. I dialed the number for your apartment in Sunset Park. It still blows me up whenever I think that you rented this tiny one-bedroom behind my back when we were still living together. Say whatever you want, but I just don’t believe that a normal person can find happiness in a rat hole. For a long time, you wouldn’t give me your phone number or address. Need to be alone for a while to clear your mind, you said. Clear my ass. Haven’t you figured out you can’t live without me? Don’t you know it isn’t that hard to find out where someone lives? Still so naïve, after all these years.

    I listened to the ring with a clear conscience. It was your birthday, for heaven’s sake. I was inviting my wife to her birthday dinner. I wanted to hear you laugh, tell you that thirty-three was an auspicious number, like cuddling lovers, the symbol of “double happiness” on the door of the newly-wed. The phone rang and rang. Finally you picked it up, but you sounded nervous, anxious to hang up. Then I heard him, reading a story to my son behind a closed door. It was deep, muffled, a voice that didn’t need to shout to claim authority, a white man’s voice.

    “Come back home, Mei. Now!” I screamed.

    You waited till I lost my steam, then said, “Tiger, I just want a normal life. I want Jia to grow up good, not a hoodlum.”

    You hung up and unplugged the phone.

    I dumped the dinner into the garbage can.

    You think I’m a tong, bitch! But how can I blame you? All the movies and TV shows you watch, the rumors behind doors, the bullets flying around the dark streets. Yes, there are tongs everywhere. But that’s only half of the truth. You never gave me a chance to tell my story.

    The day I opened my shop, they drifted into the door like ghosts. Through their sunglasses, they looked at me without a word. I knew what they wanted. But instead of giving them the envelope with cash, I shouted, “Welcome to my store. Please have some candy and peanuts.”

    They couldn’t believe their ears. You should see how their mouths dropped open like dead fish. The next day they came back and smashed a few plates and vases. They picked the biggest and shiniest ones, not knowing everything on display was imitation. The real stuff was locked in the safe. I opened the cash register.

    “Look, it’s empty. I haven’t made a penny yet. If you loiter around my store every day, how can I get any customers? If I can’t do business, how can I make money to pay you guys?”

    They looked at me as if I were nuts. I bet nobody had ever talked to them like that. Two days later, they came and placed a little black box on my counter. I opened it. It was an ear, dried and shriveled like an autumn leaf. I looked at it, looked at the two young thugs, who had no idea what tough meat tasted like.

    “O.K.,” I said. “Tell your boss to meet me tonight, nine sharp, in the back room of Seafood Palace on Center Street.”
    I took out my gun for Russian roulette. It was the first thing I’d bought after I made my pledge to Uncle Sam. It had taken me six years and forty thousand bucks to become an alien in this Yankee town. A perfect gift for the celebration. I’d played it in Beijing and Hong Kong. Not my choice at first. But it was the only way I could fend off the soldiers and thugs. The only way to show them I could play, and play hard, despite my pale skin and my girly face. I’m good, real good. Know when to stop. It’d be the first time I’d use it on American soil, and I hoped it’d be the last.

    I got there at eight-thirty, ordered an eighteen-dish banquet, poured two glasses of white grain spirit, and waited. The boss arrived, a scrawny little guy, guarded by his seven brothers. I stood up, showed him my full glass, bottomed it, then pushed his glass over. He stared in disbelief. His bodyguards lifted their shirts, showing off the knives that dangled on their belts. I laughed, pulled out my gun, put a bullet in, twirled the cylinder, and put it against my temple. I pulled the trigger.

    They all went pale.

    I placed my blue beauty next to his glass, still untouched.

    He stared at it like a zombie.

    I slid a red envelope to the scrawny shrimp. It was swollen with fifty twenty-dollar bills. “Believe it or not, you’re the first people who stepped in my store. According to the custom of my trade, you get a present from me, as a lucky omen. Tomorrow I’ll receive my regular clients. One of them is the head of the police station on Elizabeth Street, known as Hawk. I’m sure you’re well acquainted with him. But I bet you don’t know he’s a fanatic antique collector. If you have a chance to visit his home, you’ll see his collection. Perhaps you guys should drop by my store also, have a chat with him. He’s not as ferocious as he looks, if you get to know him.”

    If you had seen the way they ran, Mei, you’d know they’d never show their pimpled faces in my store again. I sat down, alone, ate the eighteen-course dinner, drank the whole bottle of liquor. It’s a shame to waste food, under any circumstance.

    I wish you would believe that I run my business clean in Chinatown.

    The wheel is slowing down. The dealer gives me a look, clears her throat. She seems to wait for me to change my mind before she calls out “No more bets.” Thirty-three is just a column. It pays only two to one, far less exciting than straight-ups or splits. But what do I care? I didn’t come here to win in the first place. Besides, once I make up my mind, I stand firm. I’m pigheaded like you. We have twin spirits.

    The first night of our reunion, you wouldn’t let me keep the light on. I thought you were just being shy. As I buried my face between your breasts, I felt the scars. I switched on the light. Your torso was covered, some perfectly round, like cigarette burns, some with perforated edges like a poppy pod.

    “Who did that to you?” I screamed in horror. “Tell me who did it. I swear I’ll get them, one by one.”

    “Shh,” you hushed, sealing my lips with your slender fingers. “I did it to myself, just to prove I was mad, a real huachi who lost her mind for love, no longer fit for marriage.”

    I bawled into your belly. How could I ever pay back such love in this life?

    “Tiger, Tiger, look at me.” You cradled my face and cooed like a pigeon at my ear. “It wasn’t painful, not at all, not compared to the pain of longing for you, for not knowing where you were, how you were doing. I knew you were alive, no matter what they told me. I knew you were alive because I was still hanging on. Tiger, my sweetheart and lover, look at me, look at my belly. What do you see? It’s your face, your profile, if you link the dots together. Here’s the forehead, the nose, the lips, and chin. Here, here, feel them.” You grabbed my finger to trace the scars that formed a constellation.

    And I remembered the first time I met you, outside your father’s mansion. You were reading on the front steps, the breeze blowing the fuzzy hair of your nape this way and that, like the waves of a golden harvest. I felt dizzy, weightless, a buoy in space. I have been floating in your universe ever since.

    But it all disappeared when you exploded without a warning. No, not true. There were signs. First the change from Mei to May, then the abandonment of Chinese, your hatred for Chinatown, and the constant nagging about me being a gangster. I shouldn’t have laughed it off. I should have paid more attention.

    I tried everything I could to clear my name. But you just yelled, despair in your eyes, “How could you survive in this town otherwise? Those damn tourists stare at me like a whore. They even have the nerve to ask why I don’t wear the sexy gown that split at my thighs.”

    “All right,” I said finally. “Give me a year to sell out. We’ll move wherever you want, SoHo, Flushing, Brooklyn, White Plains, even New Jersey.”

    I thought you’d jump with joy.

    “Doesn’t matter where you live,” you screamed. “You are Chinatown.”

    Bitch!

    But you’re right. I am Chinatown. I live there, buy and sell stuff robbed from tombs hundreds, thousands of years old. I wear my watermelon hat and silk robe, just like a Chinaman in a movie, to amuse tourists. I even smell like Chinatown—the stink of fish, garlic, and soy sauce. Is it a crime? I do whatever it takes to support my family. But are you grateful? Jia wouldn’t even say hello when he came home from school. He chatted only with you, in English. The other day, I told him to speak Chinese like a good son, like a human being. Guess what he said after making a horrific face?

    “Can you talk like a grown-up?”

    I spanked him, for the first time. He’s only five, already he acts like a little devil. What will he be like when he reaches fifteen, twenty-five? I might as well strangle him right now, to save trouble for the future.

    I guess it pushed you over the edge.

    Fine. We live in America. Spanking is not hip. I speak Chinglish. My clothes smell of rice and old graves. But do you have to get a white devil into your bed and have my son call him “father?”

    I pulled out my gun. The cold metal soothed my throbbing temple.

    The ball drops. I won again. Two to one. No big deal. But the message is clear. I’m not yet finished, not yet.

    I’m tired of being out. I want to be in the game, before it’s too late, you said.

    Translated: you’re bored as a merchant’s wife in Chinatown. You want to be pampered by some white man.

    With your China eyes and yellow skin? With your permanently accented English? Your job behind a receptionist desk in the Seagram Building and your rat-infested one-bedroom apartment in Brooklyn? You forget this is America, not Beijing. General’s daughter or not, white men don’t give a shit about your past.

    I want to be in, too. Why do you think I swam through the night to cross the river? Why I cut off my ties with China and applied for citizenship as a refugee? Do you know how I felt when I stood on the harbor of Hong Kong, gazing at the mainland’s shadow poking through the mist? For sixteen years I haven’t returned home. Sixteen years. I want to see my mother one more time before she goes. She’s blind, ready to join her husband, the father I’ve never met. Her coffin is made and varnished, her name chiseled on the stone. But she can’t go without me, her only son, at her bedside, to guide her soul into heaven with my cry.

    “What are you afraid of?” Mom asks whenever I call. “You’re a foreigner now, a rich foreigner. Nobody can touch you.”

    “Yes, nothing to be afraid of.” You tell me the same thing, when you see the pinched look on my face, knowing I’m homesick. “Now that you have an American passport, the old man won’t dare harm you.”

    I laugh. What do you know about your father’s other side? He can toast to his enemies at a banquet and have them eliminated before they have a chance to burp the gas out of their stomachs. He was so furious when he found out I married his only daughter that he instantly put me on the list of top spy suspects. He won’t give a shit that I’m a “foreigner” with an American passport. As soon as my name appears on the computer screen at customs, he’ll have me dragged to his cell. My only hope is to wait till he retires or dies.

    Not a totally bad end, perhaps? At least he treats me as if I were still Chinese, not a “foreign devil.” Even my own mother calls me a “foreigner.” Being my mother, she doesn’t say the word devil, but I can hear it in the awkward silence, the way she bites her tongue to stop it from slipping out of her mouth. Foreign devil, foreign ghost. Once you cross that bridge, once you turn your back to your mother, you become a ghost, a ghost without a grave, without a country.

    “Nonsense,” you said when I tried to tell you my morbid thoughts, your voice loud and shrill as if you were trying to scare away ghosts. “America is your home now. You belong here. We all do, dead or alive.”

    I looked past your shoulder, at the antique vase on the nightstand. It captured the scene of a slender maiden chasing a butterfly in the garden and a young man peeking at her from the wall, his eyes full of lust. It’s the kind of vase that would have sold quickly, if not for the crack at the bottom. So I drilled a hole and turned it into a lamp. Tourists love Chinese antiques. Americans. Europeans. They come into my store. “I’m looking for a vase or plate with Chinese faces like you and her.” They point their fat, hairy fingers at me, at my young assistant from Shanghai. When they get what they want, they pat me on my shoulder. “Hsie hsie, China Fan.” Their thanks come out like “shit shit.”

    I gaze into their eyes: blue, hazel, brown, gray. Will they ever look at me and say: Perhaps he’s an American too, just like us?

    Do you know, Mei, that you’re a walking Chinatown yourself?

    But no matter. Nothing stops you. The stubborn dreamer.

    Somewhere far away, slot machines sing in many voices: a Christmas bell, an alarm, a combat song. They remind me of those sleepless nights in Beijing, under my cotton quilt, my ear pressed against the old plastic radio for the static sound from the Voice of America. Turn to the dealer, now. Do not weep. Must not weep. Not here.

    She returns my glare with a smile and turns the wheel.

    Let’s play then, Mei, you from your rat hole in Sunset Park, me from this Chinese casino room in Atlantic City. Ruyilou—House of Anything You Wish. See how I pile everything on the big red one? It stands tall, quivering, a pickax hacking into the belly of the game.

    Wang Ping’s latest collection of short stories, The Last Communist Virgin, will be available from Coffee House Press April 1. Her photo and video installation, “Behind the Gate: China in Flux After the Flood of the Three Gorges Dam,” is on exhibit at Macalester Art Gallery March 3–27. Born in Shanghai, she now lives in St. Paul.

  • Nice Folks and Nitwits

    People will tell me anything. I have that kind of face. I got it from years of practice. When I was a waitress, I’d listen to people all day long and smile at nice folks and nitwits alike. My livelihood depended on my genial expression. In time, it bled over into my daily life. My bland, Mona Lisa smile would win people’s confidence even if they hardly knew me. Maybe they were picking up that I’m interested in people. You know—I am you and you are me and we are all together. We’ve all got stories we’re dying to tell, even if it’s the kind of thing you pray won’t show up in your obituary.
    At the greasy spoon where I used to work, one of the regulars was an old veteran with a face like five miles of gravel road. Late one night when it was just the two of us, he looked up from his drink and blurted out, “I’m a cross-dresser.” He would have been a better Charles Bukowski impersonator, but I just refilled his cup and commiserated about finding the correct undergarments for trapeze dresses.
    After my standup comedy performances, people would often tell me stories that were funny tinged with awful, like they were looking for permission to laugh off the painful part. I remember one regular-looking guy, maybe fifty, thick-set, plaid wool jacket, and brown thinning hair. His blue eyes were dancing and he made a beeline to me and said, “I got to tell you a story.
    “I got a dog, a golden retriever name of Gracie. She’s my girl, and she’s a good one. We go everywhere together, best pals. She’s a long hair, and every summer we got to get ’er a haircut. It’s better for when she swims, my wife says, ’cause that way Gracie can’t shake water all over the kitchen floor and then it’s also better in case of ticks.”
    The guy was gearing up to tell me the next part.
    “I can’t have money.” I let my eyes run a quick scan of the man. He was holding car keys. He could pilot a car, but he could not be trusted with money. Where was this story going? I held my smile. “It just runs through my fingers, and it’s better if my wife takes care of that side of things. She keeps us out of the poorhouse.”
    He leaned in conspiratorially, looking from left to right to make sure no one else was listening in and then he continued.
    “One Saturday last summer, she gives me a twenty-dollar bill and says for me to go get Gracie her haircut. Then she takes off for the day with her girlfriends. Well, I’m thinking I’d rather have the twenty, and I could just get out my beard clipper and cut Gracie’s hair myself.”
    After he said that, I figured you could practically cue the disaster music, but the guy had to get it out. “So, I’m doing it in the kitchen, that way it’s easier clean up. The top half is no problem at all, even the tail. I’m talking to her the whole time and I’m thinking that this’ll be easy.
    “Then, we get to the underside, a little trickier, because of the longer strands. I lean over her, kind of spooning her backside to keep her comforted and still. I’m doing all right, Gracie’s doing all right, and then the doorbell rings.
    “Gracie jumps in my hands, and then … zoop! I just shaved one of her teats clear off. It’s an accident you know.
    “And everything happened real fast after that.
    “The doorbell rings again and I let go of Gracie to run and go get rid of whoever it is. It’s someone looking for a different address. Some lady, she’s going to a baby shower and she’s got a stack of presents in her hands.
    “I open the door and say wrong house, but not before the gal hears Gracie howling to beat the band and zooming all over the house, trailing blood like a Friday the Thirteenth movie. All over my wife’s beige couch, the carpet.
    “I slam the door on the lady, and I coax Gracie back into the kitchen with some raw bacon. She’s still bleeding, I’m nuts, still thinking that somehow I can get out of this. So, I get behind her and double up and hold her tight. I got a fistful of paper towels on the wound, pressing down to try to stop the bleeding.
    “Old Gracie quiets down ’cause she’s got the open bacon package in front of her, and we just sit there for a while. Every time I took the paper towels off, the bleeding would start again. I couldn’t figure out how to Band-Aid it, so we just sat there. And, that was how my wife found us.
    “You know,” he said, “Gracie forgave me a long time before my wife did.”
    “I know,” I said. “I know how it is.”

  • The Temple is Melting

    If Minnesota hockey were a religion (and many, of course, would contend it is), Steve Mars would be a hellfire-and-brimstone preacher whose sermons carry an apocalyptic message: Something must be done to save the faith, because the temple is melting.

    Warm winters of late have cut the outdoor-skating season nearly in half, and as outdoor ice goes, Mars says, so goes the status of our state as a puck mecca.

    “For years our municipal parks were to hockey what Chicago’s are to inner-city basketball,” says Mars, a red-headed, boy-faced forty-nine-year-old who was a star winger on the Duluth East and Hamilton College hockey teams. “Imagine Michael Jordan without playground basketball. We’re losing our playground hockey,” Mars says. “All of those kids who just want to go out with their skates and stick now have almost no opportunity.”

    Mars recently came up on the losing side of a contentious battle with the Eden Prairie Hockey Association over the use of $3.4 million raised to build an indoor arena (the third for this southwest suburb). He proposed instead spending the money to install up to six refrigerated outdoor rinks in city parks. Among other benefits, he says, that would have opened the sport to hundreds of kids who cannot afford the $1,400 to $1,900 to join a team and purchase equipment.
    The cost of playing hockey has been rising in direct correlation with rising temperatures; as free outdoor ice disappears, teams are forced to shell out the $150 to $200 it takes to rent an hour of indoor ice. Multiply that by twenty or so—the number of practices each team once counted on conducting outdoors—and the outlays grow prohibitive.

    “Minnesota is the state of hockey and we’re telling eighty percent of the kids they aren’t allowed in the club,” Mars says.

    Like many religions, Minnesota hockey is political. According to Eden Prairie hockey parents who insisted on remaining anonymous, the clash between the indoor vs. outdoor ice advocates was often “nasty” and led to several of the children of those involved being cut from teams they deserved to make. Many individuals contacted for this article on both sides of the issue refused to comment, saying only that they wanted to put the ugliness behind them. Jerry Fagerhaug, the Eden Prairie Hockey Association president who backed the indoor arena, did not return multiple phone calls.

    The issues in Eden Prairie are by no means limited to that community. According to Paul Douglas, the WCCO Television weather guru, Minnesotans have no choice but to “adapt to this new, Chicago-like climate.” Douglas says there will still be ice in Minnesota, but it won’t be nearly as reliable as it was a few decades ago. “Skating by mid-November was the norm for much of the twentieth century, but that date is being pushed back into mid- or late December. The skating season will, on average, be shorter by as many as ten to thirty days per winter than it was during the 1970s and early 1980s.”

    That means fewer kids may experience what the late Herb Brooks called “the joy of going to the local park rink and playing pick-up games.” Brooks, who coached the 1980 “Miracle on Ice” team to Olympic gold at Lake Placid, proposed the way forward for Minnesota Hockey shortly before his death. The state doesn’t need any more “million-dollar Taj Mahals,” Brooks said in the January 2003 issue of Let’s Play Hockey. “Why do we have all these arenas around town? To give kids the chance to play, right? But they’re expensive! What if we could find a more cost-effective way to get more ice and allow more kids to play? We need to supplement the indoor arenas—artificial outdoor ice is the missing link.”

    “The people who advocate for more indoor ice tend to be people who never experienced the joy of outdoor ice,” Mars says. “They also feel that refrigerated outdoor ice is unreliable. But all they have to do is drive over to the Roseville Oval to see that’s not true.”

    The John Rose Minnesota Oval, the largest refrigerated ice surface in the world, offers four outdoor rinks. The enormous facility is open from the first week in November until the first week in March and remains operational at temperatures up to fifty degrees. Since its establishment in 1993 the skating center has rarely been forced to cancel a session because of weather.

    Steve Mars, who failed in his campaign to convince the Eden Prairie Hockey Association that outdoor refrigerated ice is the only way to preserve the sport in the era of global warming, says he’s glad the conflict has, for the moment, been resolved. But he laments the missed opportunity. “This was our chance to bring hockey back to any child who wanted to play. That’s what makes me lose sleep and lose friends over this. I mean, jeez, come on guys.”

  • Project with a Capital “P”

    Andy Sturdevant—bon vivant, raconteur, interlocutor, chairman-elect of the Medicine Lake Gentlemen’s Research Society—sat down one wintry Wednesday evening to talk about history. I had last seen him perched atop a handmade shack on the frozen shores of Medicine Lake, horn-rims steaming, cheeks aflame, hollering into the wind like Buddy Holly in a one-piece snowsuit, one whose embroidered label read “The Aristocrat.”
    Sturdevant had planned to offer a walking tour coupled with a rambling, discursive history of Medicine (née Mdewakan) Lake—part of the festivities surrounding the Art Shanty Projects, the annual undertaking whereby dozens of artists invite the public to visit their creative takes on ice fishing shanties. But the temperature of the air and the fortitude of the tour group were plunging fast. So he took pity on the crowd and shaved several hundred years off the history; as we huddled around him in a loose horseshoe, he let loose a volley of historical grapeshot: “You are standing on the site of a mid-century Methodist mission camp! ‘Mdewakan’ is Dakota for Lake of the Spirit! This lake was the childhood home of director Terry Gilliam!” [Editor’s Note: Mdewakan is literally translated as “sacred” or “mysterious” Lake.] With a flourish, Sturdevant corralled the crowd out of the wind for a “Battle Hymn of the Republic” sing-a-long. We sang hallelujah, said hallelujah, and with that, the tour was over.
    By the time we met at the Clicquot Club in south Minneapolis, Sturdevant had swapped his lambskin for a long, red-and-white striped Dr. Who-style scarf. He grasped a grilled panino imperiale with one hand and flipped through some of his historical research, a series of nineteenth-century advertisements, with the other. The ads were designed to persuade Minneapolitans of the 1890s to settle near “Medicine Lake Park,” and Sturdevant read them aloud with glee. “Do not suppose that THE PARK IS A WILDERNESS,” he intoned. “The shrewd investor will be quick to GRASP THE OPPORTUNITY and purchase now, while prices are low and terms easy.” Wiping a few crumbs from his chin, he moved on to describe his next curatorial endeavors, including a sprawling twentieth-anniversary exhibit on the history of No Name Exhibitions and the Soap Factory, the art space near St. Anthony Main that occupies a special place in Sturdevant’s heart. “It’s dank and weird,” he says. “Everything a gallery should be.” It’s also where he once exhibited a project titled Dead Flying Minnesota Liberals: images of Hubert Humphrey and Gov. Orville Freeman strung up between the gallery rafters and spotlit from below like the ghosts of politics past.
    Indeed, a deep appreciation for local history permeates Sturdevant’s work—all the more impressive as he only recently set foot on local soil. An artist by training, curiosity-seeker by nature, and gentleman historian by night, he moved to Minneapolis two years ago on a wing and a beer. He’d spent a cool quarter-century on much-loved home turf in Louisville, Kentucky, where “You pay $180 in rent,” he says. “You make $600 a month and live like a king.” But the city’s elixir of torpor and plenitude threatened to choke his chi, so he sat down one night with a Sharpie and a Sterling and made a list of possible new hometowns—Philly! San Francisco! New York! Milwaukee!(?) Chicago is where most Louisvillians go for a swig of big-city life, but Minneapolis became the frontrunner by dint of its mystery. Sturdevant arrived in February of 2005 bearing copies of a home-made book called Everything I Knew About Minneapolis Before I Moved Here, all his worldly knowledge occupying a dainty twelve pages.
    Any newcomer will tell you that the social fabric of the Upper Midwest is as impermeable as lefse left in the snow, but Sturdevant approached Minneapolis as a Project with a capital “P”: He scoured the local papers for arty happenings, scribbled notes, and attended precisely one zillion gallery openings. He said hello. And hello. And hello. He switched from Sterling to Grain Belt. Being from the South gave him a lot of social leverage, he discovered. “Ah just moved here from Kintuckee two weeks ago”: like a hot knife through butter.
    He quickly found a number of conspirators and cohorts among other Twin Cities artists, began volunteering at the Soap Factory, and exhibited Everything I Knew at Creative Electric Studios in Northeast. He made artwork for (full disclosure) this magazine and designed programs for The Electric Arc Radio Show. At the moment, Sturdevant’s gig as a secretary at the University of Minnesota Medical School pays the rent while his multifarious projects feed the head. Not to mention the vocal cords of anyone who comes within singing distance. Speaking of which, any sing-a-longs in the foreseeable future? The gentleman makes no promises—except that he’ll personally serenade any interested party with the 1961 hit single “A Little Bit of Soap” by the Jarmels. The shrewd investor will be quick to grasp the opportunity.

  • As It Was Meant to Be Played

    I sat in a lawn chair in the middle of frozen Lake Nokomis, nibbling on chicken kabobs and sipping a tequila slushy, thinking, How serious can this pond-hockey thing be?

    A minute after the puck dropped in my first game, I immediately regretted my warm-up smorgasbord. This pond-hockey thing was apparently very serious. We were playing a team named the Whiskey Bandits, an ass-kicking juggernaut of players in handsome red jerseys who were definitely in it to win. My crew, the Arden 6, was there to play and to party. While the Whiskey Bandits were a team of sculpted Adonises in their mid-twenties, the Arden 6—made up of a forklift driver, two office maxes, a stay-at-home dad, and a couple of slackers—looked like a bunch of Chris Farleys on skates.


    The Whiskey Bandits skated with crisp, robotic efficiency. We chased them like slobbering dogs, somehow managing to score a lucky goal before the onslaught began. Within moments of the opening face-off, we were losing 10-3. A Whiskey Bandit made a wicked tic-tac move on me, twisting me right, then left, then right. I almost pooped my pants. The referee called out the score. “27-5.” Slight pause. “28-5.” They scored more than a goal a minute. The final tally, 37-5, represented one of the worst defeats in the two-year history of the U.S. Pond Hockey Championships.

    The beleaguered Arden 6 headed into the massive party tent to regroup over a few beers. We were baffled by the extreme drubbing we had suffered because we thought we had a pretty good squad. All of the players on my team played high school hockey in the Twin Cities. Nick Brown, our ringer, even played at Dartmouth and has fantastic speed and silky moves. As we sat and sulked, the Whiskey Bandits strolled in without a hint of arrogance; they came over to apologize for the slaughter.

    “Sorry ’bout all that,” a fresh-faced Bandit said sheepishly. “I had to get a waiver to come play here this weekend.”
    “A waiver from what?” I asked.

    “I play pro hockey in Oklahoma,” the guy said. He took a giant chug from his plastic keg cup. “Most of my teammates played in the minors, too.”

    My posse spit up their beers.

    “You guys are pros? Big deal,” I said facetiously. “Our right-winger is a thirty-eight-year-old stay-at-home dad who calls himself The House Admiral.”

    I walked outside to the patio that overlooked the entire tournament. Bright sun filled the blueberry sky with blinding light. A horn blew across the frozen lake, signaling the start of another round of play. All at once, on twenty-four rinks, forty-eight teams accounting for 288 players started playing hockey the way it was meant to be played: wide open, four-on-four, with no offsides, no goalies, and no hitting.
    Before our next game, I made my way to a giant board containing the tournament schedule and scores from all of the games. It gave me hope to see that many of the other teams had pathetic names like A Lot Better than Last Year, Fattys, and Footlong Meatball Sub on White with Double Pepperjack Cheese!—indicating they probably wouldn’t be as awesome as the Whiskey Bandits.

    We held a team meeting over doughnuts, hotdogs, and more beers while The Admiral talked to his babysitter on a cell phone. Back on the ice, the junk food in our systems worked like magic. We spanked our opponents, the Campbell Avenue Crawlers, a team that traveled from Connecticut just to get whupped, 20-3, by our sorry asses.
    The day ended with more hockey, more beer swilling, and a funk band named the Prophets of Soul jamming tunes like “Ain’t That a Bitch!” and “Skin Tite!”

    The next morning, cold air burned my lungs like shots of vodka; an orange sunrise painted a few white clouds the color of a dreamsicle. Our game against the Flying Saucer Attack was hard fought with lots of slashing and chipping, but we eventually lost 14-8.

    That afternoon, the beer garden bristled like a busy trading session on the New York Stock Exchange. Hordes of sweaty bastards, grown men still wearing breezers and shin pads long after their games were over, waved dollar bills to pay for beer. I asked an old-school guy in a vintage helmet how his team was doing. “I ain’t playing,” he mumbled. He pointed to the helmet and said, “I just fall down a lot.”

    Later my team stood rink-side and watched the Whiskey Bandits dismantle Kari Takko (a team named after a Minnesota North Stars backup goaltender) to win the championship game 10-2.
    “Next year, I think we should use steroids,” I suggested to my teammates. They chuckled and ambled on sore legs back to the beer garden.

  • Happy Birthday to Us

    A little more than five years ago a few of us sat down around my dining room table with some legal pads, a laptop computer, and a long list of ideas. Our starting point was an executive summary of an idea for a magazine that I’d written up three years earlier. The magazine had the working title The Village Idiot.

    Among the files in the computer’s “Idiot” folder were cash flow projections, printing cost estimates, rate cards, positioning statements, bios of prospective members of the founding team, lists of feature and department ideas, and a list of possible names. That last list was several pages long, and over the next few days, we added even more pages.

    Among the prospective names were The Natural, The Local, and The Regular. We spent a good deal of time thinking of all the reasons we couldn’t call it The Regular. We wanted to make a magazine that would be as personable as your buddies at the bar, and although we were certain that concept would eventually get across to the readers, we weren’t so sure we could weather the inevitable storm of potty jokes. I had also once participated in the founding of a newspaper called Sweet Potato, and that was enough to convince me that we should spend as much time as it took to get the right name.

    I had read an article about naming companies, which mentioned how George Eastman came up with the name Kodak. There was more to the story, of course, but the basic idea was that the name had the letter K in it, and the letter K made a strong, memorable sound, especially at the end of the word. We pored over the dictionary, the thesaurus, a book called Choose the Right Word, and eventually, after several more days of rejecting words like Crack, Smack, Clock, and Crock, we ended up with Rake, which doesn’t exactly end in a K, but is close enough for English majors.

    Now all we had to do was explain our choice. There are lots of definitions and connotations. Rake as in muckraking; rake as in the slant of a theater floor which allows everyone to get a better view; the eighteenth-century Rake’s Progress engravings by Hogarth; and, our favorite meaning: a person who likes to, shall we say, have amorous encounters with other peoples’ spouses. (We don’t do that, of course. We prefer to alter the meaning to “sticking our noses into other peoples’ affairs.”)

    So we got all that preliminary stuff out of the way, and, since our spreadsheets told us that it would be easy to make a profit, we made the financial commitment to start the magazine. By early in September, we had hired our first two employees, bought some furniture and computers, and signed an agreement with a web site developer. On September 10, 2001 we signed a five year lease on office space.
    The next day, of course, changed the nation’s business climate. But since it hadn’t directly changed the numbers on the budget spreadsheets, we decided to go ahead and publish the first issue of The Rake in March 2002. It turned out that our Rake’s progress wasn’t as easily predicable as Hogarth’s, and there have been some hiccups on the way.

    For instance, we still have trouble explaining the name, and what it says about what we do—and more to the point, how we fit into the local media scene. Since we started, we’ve received semi-regular encouragement in the trade press; they’ve recognized how The Rake is a groundbreaking addition to the magazine world. We’re one of very few glossy mags that are distributed free. We’re one of the only regional magazines that doesn’t compile incessant lists of best doctors, lawyers, colleges, restaurants and babysitters. We don’t produce “special sections” that are designed exclusively to sell advertising. (Though we like to sell advertising as much as the next guy, and we wish all of you readers would visit one of our advertisers today and say, “I want to buy that thing you advertised in The Rake, and by the way, thank you for supporting my favorite magazine.” Go ahead, you can do it.)

    First and foremost, as I wrote in this space five years ago, we are story tellers. The fun for us in The Rake is to share all sorts of tales that are fascinating in the telling, and rewarding in the response. There’s a simple logic to how this works. Because you readers connect with us on an emotional level, you provide value to our advertisers. It’s gratifying to be told, again and again, that someone loved some story we published, admires our art direction, enjoys our ads, and, as one reader mentioned last week, because of our Rakish coverage, appreciates all the Twin Cities has to offer. Those are the best birthday greetings we could receive.

  • Contemporary Prints from Tokyo

    What’s going on with printmaking in the world’s largest metropolis? This modest but wide-ranging show offers a glimpse—some thirty works from nine artists—of the current scene where populist ukiyo-e prints first blossomed in the sixteenth century. On the prominent end are works by Tesuya Noda, one of Japan’s best-known printmakers, including a selection from his “Diary” series (a still life from Israel casually pictures a string of bullets alongside a robe, mattress, and pair of shoes), while Miki Kato’s color intaglio prints, incorporating animals and old-fashioned wallpaper and doily patterns, have a more of-the-moment hipster appeal. Kato curated the exhibit with Tyler Starr, an American expat in Tokyo, whose color woodcuts are included, alongside images of tourist sites obliterated by imagined disasters, as rendered by lithographer Hisaharu Motoda. 2638 Lyndale Ave. S., Minneapolis; 612-871-1326; www.highpointprintmaking.org

  • Ghada Amer and Wangechi Mutu

    Here’s an intriguing pairing. Amer and Mutu, both widely exhibited internationally, came to New York via Cairo and Nairobi, respectively, and focus on intersections between the woman and race, sex, power, and religion. Amer’s huge canvases are embellished with chaotic embroidery that, upon close inspection, reveals images of women from porn mags. The new works here add, in a couple of instances, stitched renderings of Disney princesses and Alice in Wonderland. Mutu, known for collages combining clippings from fashion magazines and African art books, presents Thrones: three rickety wooden chairs elevated with wobbly, unstable leg extensions that, she says, represent Western power structures. Hanging among them, upended bottles slowly drip red wine, creating spatters on the concrete floor—a reference to government-perpetrated violence, especially against women. 1021 Franklin Ave. E., Minneapolis; 612-872-7494; www.franklinartworks.org

  • Bob Dylan’s American Journey, 1956–1966

    Sure, you know Dylan’s from these parts, but do you really know Dylan? This retrospective of his early years, curated by Seattle’s Experience Music Project, should appeal to casual fans and obsessives alike, tracing his evolution from Hibbing rock ’n’ roller to Dinkytown folk-scenester, then on to New York, where he was destined to achieve almost-mythic status. The Weisman has expanded the exhibit to emphasize the legend’s Minnesota roots, including additional relics from his Hibbing and Dinkytown days. Bonuses include artifacts from Dylan’s contemporaries: a handwritten note from Joan Baez, the spur-adorned boots of Ramblin’ Jack Elliot, and Woody Guthrie’s acoustic guitar, with his name scratched, childlike, onto the back. 333 East River Rd., Minneapolis; 612-625-9494; www.weisman.umn.edu

  • Rollin Marquette: New Sculpture

    Like all good minimalists, Rollin Marquette trains his focus on the materials he works with: individual servings of pasteurized cheese-food product poked through chicken wire, or plastic tubes filled with electric-green antifreeze, or, in his latest installation, balsa wood and steel. Wedged into two galleries at the MIA (and piercing the wall between them), this untitled work offers up a series of contrasts: Dark industrial steel beams play off the bright, clean elegance of the gallery space; the sheer heft of those beams ironically holds aloft a ring of balsa wood—which is itself given weightiness and depth by being charred and waxed. (Or do those beams keep the ring from floating away?) On the whole, this assemblage comes off as some oddball feat of engineering, or a mysterious monument from a long-gone militaristic society. 612-870-3131; www.artsmia.org