Month: January 2006

  • At the Sink

    Enough was enough, she thought as she stared out her kitchen window at the falling snow covering her garden. Growing things now bored her to tears. It was a brutal and masochistic hobby in such a harsh climate. She’d have three mostly satisfying months, preceeded by two months of dirty work and followed immediately by eight weeks of rain, retrogression, and diminishing satisfaction and diminished spirits. Not to mention the five months of cold misery after that.

    Increasingly in her retirement she passed the winters as an almost total shut-in, puttering about the house and re-reading books she’d read years before. She listened to public radio, but even those people got on her nerves anymore. They all sounded so drab, so earnest, and it irritated her no end how they were always pleading for more money. They talked too much about biological terrorism and sports stadiums, and they were constantly bringing that awful, spastic wrestler on to huff and puff and bully people. She could just see him jerking around.

    What had the world come to? She’d occasionally venture out to go shopping, but it wasn’t really even shopping anymore; it was more like visiting the museum of a planet she no longer lived on. There were fewer and fewer things she recognized, let alone really needed or wanted. She’d go into an electronics store near her home whenever she wanted to feel truly obsolete and done for. It was oddly thrilling, like a bright and confusing dream.

    Thank goodness, she always told herself, she still found people so interesting. She lived across the street from a city park which several nights a week hosted “Community Senior Classes.” She could see the old people through the windows, square dancing or sitting around tables making crafts. She thanked her lucky stars she hadn’t sunk to that level of desperation. It was terrible, but she had very little patience for old people and their frequent gripes and loneliness.

    She’d gone on a bus tour with a bunch of senior citizens shortly after she retired—it had seemed like a bad idea even at the time, but a neighbor lady had talked her into it—and she’d never heard so much complaining in her life. Certainly she was sympathetic to their loneliness, but she’d lived alone for her entire adult life, and liked to think she had developed a certain toughness and self-reliance. She supposed it must be disappointing to raise a family only to have your grown children virtually abandon you in your old age, but how much worse her old neighbor friend Helen had it, widowed and stuck with a forty-year-old son who seemed to have absolutely no intention of ever moving out from under his poor mother’s roof.

    This man still went about the neighborhood in camouflage pants, wore a ridiculous Australian-style desert hat, and raced a remote-control model car up and down the sidewalk. She knew that Helen regarded her only son—there were also two daughters of normal accomplishment and independence—with a degree of shame, but there was also something of that pathetic symbiotic coddling that starts young in such cases and eventually produces such unseemly dependence in both parties. Heaven knows, with her husband now dead, Helen would have been lost without her greasy and stunted boy.

    She and Helen had been neighbors and friends for more than forty years. That was what was so sad to her about the boy; she could remember when he’d been born, and she’d watched him grow up (or not grow up, as it turned out). She could feel a measure of pity for him. She was sure he—Michael was his name—had been disappointed in life, and she was equally certain that he was depressed. Who wouldn’t be, given the circumstances? He’d settled into that disturbing indifference regarding hygiene and personal appearance that you saw so often in the chronically depressed. Once upon a time Michael had been a smart enough boy, and even reasonably attractive, but he was one of those children with an immodest imagination, completely ungrounded in the real world. She’d seen the type every year in her classrooms, those poor prisoners of science fiction. So far as she could tell, such books and films were a hazard to young boys; they eroded their social skills.

    She was quite certain Michael didn’t have a job, and hadn’t had one for as long as she could remember. Several times a day she’d see him stalking off to the convenience store up the street, just like the high school students in the neighborhood, and just like them returning on each occasion with candy and snack chips and big plastic jugs of unreal-looking green soda. Weather permitting, he sat out in the backyard at a picnic table, staring blankly at a chessboard or reading one of his paperback Martian novels. He’d gotten less friendly and outgoing as he grew older; he seldom even acknowledged his old neighbor anymore, and if he had any friends they never seemed to come around his house. Sometimes he smoked a pipe, and looked preposterous doing so.

    She couldn’t remember anymore what it was he had studied at college, but he had gone away to a good school, small and private and very expensive. The education of their three children had practically bankrupted Helen and her husband. The husband had worked for the city’s utility company, and had fallen over dead shortly after Michael had returned from college for the summer one year. The death of his father had effectively taken the boy off the hook so far as making any kind of a meaningful life for himself was concerned. The father would not have stood for the current arrangement, she knew that much.

    All of these things passed through her head as she stood there at the sink watching the snow come down, the day she resolved that she would no longer bother herself with gardening. She even went so far as to haul every one of her houseplants out to the garbage, and felt confident they would be salvaged by her neighbor’s oafish son.

    She’d recently taken an old classroom globe out to the trash, a globe that some cretinous former student had defaced with a black ink swastika once upon a time. Less than an hour later she had seen Michael plodding through the snow in his backyard with the globe clutched in his arms.

    Why in the world, she wondered as she watched him disappear around the corner of the house, did she feel as if he were taking something from her, stealing something she suddenly imagined she could not live without?

     

  • Costa Rica

    Cindy Jindra writes: Much to the delight of our Overseas Adventure Travel companions, we brought along our Rake as we enjoyed a two-week trip on the back roads of Costa Rica. This issue was passed around until it fell apart. Of course, the volcanic mud bath really took a toll on the condition of this well-read missive. The four of us hail from Minnesota. From left to right: Diane Hansen (Eveleth), MaryAnn Okoren (Virginia), Cindy Jindra (Biwabik and Fort Myers, Florida), and Sue Bateman (Virginia).

    Cindy Jindra, Biwabik

  • Alaska

    Dave writes: We took this while in Glacier Bay, Alaska a couple weeks back. PS- I really enjoyed Musicapolis (6/05). I am 44 and grew up watching and listening to many local and regional bands. Thanks, Dave

    David and Kelli Muller, Minnetonka

  • Mongolia

    Christine writes: This photograph was taken in Ulan Bataar, Mongolia while doing medical work there in October 2005 with forheartsandsouls.org. Christine Larson RN of Stillwater was part of a team of 21 doctors and nurses who went to Mongolia to screen children for heart defects. The team also taught surgical repair of minor heart defects as well as pre- and post-op care to doctors and nurses of Ulan Bataar.

    Christine Larson, Stillwater

  • Japan

    The Rake in Tokyo Bay, Tokyo, Japan.

    Andrew Hine, St. Paul

  • Hungary

    Alan writes: Here is a picture from the Royal Palace in Visegrad, Hungary.
    King Corvinus made this palace his summer home and it is said the red
    marble fountains in the palace flowed with wine. We are sitting on a
    wall overlooking the Danube.

    Alan and Sandy Flom

  • Montana

    Bruce writes: The attached picture was taken at Havre, Montana on Wednesday Oct 12, 2005. I am standing next to Great Northern locomotive 2584. This 382 ton locomotive fascinates passengers on Amtrak’s Empire Builder. Built in 1930 to pull the Empire Builder and other Great Northern passenger trains, 2584 was placed on display next to the depot on May 15, 1964. I had picked up the “The Rake” a few hours before I boarded the westbound Empire Builder in the Twin Cities on Tuesday, 10/13/2005. While reading it, I came upon the “Red-Handed” section and thought the Havre picture might be interesting.

    Bruce Butler, Spokane, WA

  • From Jordan >> The Little Shop Around the Corner

    At the top of a high hill on the north side of Amman, Jordan, a Baghdadi grocer tends his tiny store. In a ten- by twenty-foot space, he’s crammed just about anything a reasonable person could need: eggs and milk in an uncooled refrigerator, meat in tin cans, shampoos and soaps in faded, dusty bottles, AAA batteries, and heavy duty packing tape. One evening, however, I think I’ve stumped him. “Bidi laymoon?” I ask.

    Like a magician, he reaches behind the counter. “Laymoon? Like this? Yes—I have.” In his hand he presents a perfect yellow lemon.

    The grocer is about my height, maybe closer to six feet, and forty-three years old. He almost always wears a gray sweater with an old pair of jeans or dark gray wool pants. There are bags under his eyes and some gray in his hair, too. On most days, he wears ragged stubble on his gaunt face. On those days, especially, he looks very old.

    I suppose, in a way, we’re in Amman for the same reasons. Our countries crashed into each other and the jolt sent us both flying. I landed smoothly, having flown by choice, he with a thud, forced from his home by the war. We landed on the same hilltop overlooking a city under constant construction, growing like a field of concrete to accommodate the constant stream of others like us.

    The diplomats waging the war, the contractors rebuilding the cities, the reporters covering the events, the students learning the language, the aid workers combating the problems, and more than a half million Iraqi refugees have all settled in Amman. It’s the home base for the Westerners, and the temporary home for the Iraqis. For the Jordanians, this influx has brought with it a one hundred percent increase in property values and a nightmare for the overcrowded schools.

    I met my grocer the first day I moved in. “Where are you from?” he asked. “America?”

    “Yes,” I said. “America.”

    “I am from Baghdad,” he said, emphasis on the “dad.” He looked at me sternly. I looked back.

    “I’m sorry,” I said. I was trying to be sincere, but felt a little bit put on the spot. I didn’t start the war and I needed some milk.

    “Yes,” he said. “I am more sorry.” He waited as I poked around and stepped over boxes. I brought my groceries to the counter. “Saddam Hussein is a very good man,” he said. “Believe me—yes—very good man.” He gave me the thumbs up.

    “Masalamma,” I said as I left. It was a strange scene for a native Minnesotan. The checkout people at Cub never engaged me in a political discussion, and I appreciated that. They might have commented on the weather, or maybe made a casual observation prompted by something I purchased, but they didn’t touch politics, and never offered up the defense of a murderous dictator. I walked out the door into the warm and dusty Jordanian night, with the grocer’s friendly goodbye trailing after me.

    Everything comes in smaller cartons in this country and the shops aren’t as far away from the homes as they often are in America, so I found myself stopping by the Iraqi man’s store nearly every night. Our early conversations were vaguely political. He defended Hussein and sang Sunni praises; I wondered aloud if perhaps this Sunni hero of his went to some unnecessary extremes with the Shiites and the Kurds.

    “Troublemakers,” my grocer said dismissively, and changed the subject. “You don’t look so good today. Tired today? Not like a flower, not like yesterday.” I assured him I’d get a good night’s sleep and headed home with my cocoa powder and tomato paste.

    Morning and night, there are other Iraqis in my grocer’s store, smoking his cigarettes and drinking the coffee he brings from home. One hefty middle-aged man always sits on a crate chain-smoking and breathing heavily. When he gets up to shake my hand, it’s not without a great deal of effort and several coughs. He left one day and my grocer told me he was about to die. “All of the Iraqis here, they’re all very sick. Yes, something wrong with every one: blood pressure, diabetes, cancer. We are all very sad right now.”

    I assumed those problems probably had to do with poor health care under the old regime and the endless supply of cigarettes, but our logic usually differed, and he attributed the ailments to broken hearts. I wasn’t sure I had the ammunition or the willpower to argue.

    One night he hardly muttered when I walked in the door. He was slumped behind his counter on a crate, looking ragtag, gray, and tired. “You see what happened today? Senseless!” Thirty-six people had been killed in a Baghdad roadside bombing. We talked for a while. “Iraq has made my words tired,” he said as I wished him good night. “I must go home.”

    The next night I hardly muttered when he issued his usual ebullient greeting. “I’m just homesick,” I said, “and I think I have the flu.” He prescribed a remedy in Arabic and we talked. It was a pathetic follow-up to a roadside bombing, but he didn’t say so.

    Through the International Catholic Migration Mission, Suzana Paklar has been working with the Iraqi refugee community in Jordan for the past fifteen months. For refugees, she says, “it’s a question of missing their normal, everyday life. Maybe their life wasn’t even that good back home, but they had a community, and they were somebody in that community.”

    Atop a high hill on the north side of Amman, my Baghdadi grocer longs for the community he left behind. Around Amman, half a million Iraqis join him, and around the Middle East—in Syria, Lebanon, and Egypt—several million Iraqis hope for the same thing. My grocer is somebody in the community here—somebody to me and somebody to the friends who share his coffee and cigarettes. And because he’s somebody here, and somebody to me, I wish he was home, too.—Leah Fabel

    Leah Fabel, illustration by James Dankert

  • Earned Obsolescence

    There’s usually no problem finding a good movie to see in the Twin Cities—between the imperiled Oak Street Cinema, the Heights, Walker Art Center, and Landmark Theatres, there’s plenty to choose from that doesn’t insult one’s intelligence or batter one with sound and C.G.I. Sometimes, though, you get the urge to shut down your brain and settle in with something genuinely awful. For the worst, most bizarre—and by their very nature obscure—movies in history, there is no better local source than Joel D. Stitzel’s Cinema Slop, the eccentric movie program that screens the second Tuesday of every month in the Dinkytowner Cafe.

    “We present rare and unusual movies that aren’t commercially valuable,” Stitzel explains of his free program, now in its fourth year. “It’s questionable as to why people would release these in the first place.” The Cinema Slop curator’s taste for such ephemera was acquired at a young age, thanks largely to local pitchman Mel Jass’ Matinee Movie, a Channel 11 stalwart noteworthy for also forging the Coen brothers’ tastes. Jass was famous for wasting everyone’s Saturday afternoons with such fare as Project Moonbase and other sci-fi drivel. With the arrival of home video, Stitzel, like many film obsessives, began to build his own impressive library. Unlike other buffs, however, his collection is mostly made up of films that could not even properly be categorized as B-grade fare: This is the stuff that even remote gas-station video stores shy away from. Because of this, the pictures featured in Cinema Slop are often difficult to find. With the advent of eBay, the hunt has become somewhat easier but often more expensive, as collectors like Stitzel compete to acquire the strangest and most obscure titles.

    It would be easy to look upon Cinema Slop as a sort of den of cinematic iniquity. Stitzel has, after all, shown such “masterpieces” as the Esperanto-language Incubus, starring William Shatner with his own hair (a novelty unto itself); Toomorrow, in which Olivia Newton-John is kidnapped by aliens because her rock band’s “vibrations” are needed to save their planet; and The Gong Show Movie, which needs no explanation at all. Before each feature (there are at least two each month), audiences are treated to odd shorts, cartoons, and sometimes bits of strange Japanese game shows.

    Cinema Slop does manage to slip in some legitimate gems now and again. When this past year brought impressive DVD reissues of classic works by Robert Bresson and Jacques Demy, Stitzel screened films by the same directors that were left out of boxed sets and film festivals. Slop has also filled its nightly roster with works by Andy Warhol, had Joan-of-Arc themed nights (featuring Dreyer’s silent classic and Besson’s lackluster modern version), freaked out my own Zappa-loving brother with a screening of 200 Motels, and, at times, retreated into the comfort of Stitzel family favorites, like Wings of Desire and Séance for a Wet Afternoon. It is his program, after all.

    But Cinema Slop’s usual fare is the film equivalent of a White Castle hamburger. Its clientele are often shaggy college students and backpack-wielding film fanatics looking for something out of the ordinary to pass the time or fuel their habit. The same rules apply in the Dinkytowner as in most theaters: Talk too loud and the surly crowd will bark its disapproval. Despite the “slop” in its title, you can’t watch a movie and have better food anywhere else in the Twin Cities. To my mind there’s not much more appealing than having a good BLT and a Newcastle Ale while enjoying Harry Nilsson and Ringo Starr in Son of Dracula.

    Primarily, though, there is a genuine pleasure in joining a like-minded crowd and seeing something like Night Train to Terror, a thoroughly misguided horror film that includes, sandwiched between the requisite nudity and gore, an earnest dialogue between God and Satan. The whole proposition leaves a little breathing room for your conscience—the production cost of these films is a tenth of what Jim Carrey makes in a more forgettable movie. Then there’s the pleasure of seeing something truly awful and knowing you couldn’t replicate it if you wanted to. It takes a certain genius to make one of the worst films ever—Ed Wood’s and Russ Meyer’s films, in my mind, are far more entertaining than anything Ron Howard has ever directed. Or consider the Oscar winners of the past. Wouldn’t you rather see the 1968 Japanese transvestite “classic” Black Lizard than Oliver! (the Best Picture winner from that same year)?

    “This is sheer, stupid entertainment,” Stitzel claims with a wicked glee. “You can have the canonical works of Western culture, you can have the pap, but we show the stuff that falls through the cracks. If all you have is a top box office mentality, you aren’t going to get any spice in your life.”—Peter Schilling

  • Missed Manners

    The room was smaller than I would have liked. And there were no tables to stand behind and very few chairs. I was on an upper floor of the Cosmopolitan Club in Manhattan, celebrating the eightieth birthday of my husband’s father, the lights of the surrounding buildings twinkling through the windows as the bow-tied and velvet-draped guests poured in. Soon there were more than forty men and women in this compartment, most of them over sixty, all of them standing and talking, sipping cocktails, performing with ease an age-old ritual known as mingling.

    I’m generally not a “greatest generation” person, but I couldn’t help but notice that these people knew exactly how to behave at a mixer. There never was anyone standing nervously and alone in the corner, pretending to read the fine print on a napkin. Nobody fell down. Nobody cried. Smiling guests approached, hands outstretched in confident greeting, a sparkling tidbit of information at the ready. My father-in-law is an accomplished author and also was a writer for CBS for thirty years, so the conversations tended toward the journalistic. There had been a presidential speech that afternoon, providing endless fodder for this group of lefties. Andy Rooney, who is almost exactly as you’d imagine, spoke amiably with a portly gentleman about whether Bush had put on a good show. When the man walked away, Rooney waved over a friend and asked, “Who was that who’s gotten so big I can’t recognize him anymore?”

    So, two important arrows to have in your cocktail party quiver: interesting information about the outside world, as opposed to the latest on that uncle in prison, and also the skill and grace to make others feel comfortable, even if that means pretending at familiarity. Keeping a conversation going—with talk that is neither frivolous nor grave—is paramount. That’s where things often fall apart with my friends. I come from a generation raised on quick-cut commercials for everything from cereal to tampons, electric billboards, headphones, and home theaters. It’s always easier if there is a band on stage to stare at, or a movie. In those settings, socializing is restricted to snarky, mumbled one-liners and face-making in the shadows. My friends and I practically invented “social anxiety.” Among these comfortable old-guard New Yorkers, consummate adults at ease with nothing to look at but each other, I felt like a person in a state of arrested development. My attention span was roughly that of a seventh grader.

    I headed to the bar for a stiff drink, an ancient tactic that has carried over nicely to modern times. A few slugs and back out into the room I went. Several guests had been briefed on my background. It kept coming up that my mother lives in the same town where the actress Jean Seberg was born. Had I thought ahead, had I known what to expect, I would have Googled Seberg and marked all the details—that she’d stood up for civil rights and against the Vietnam War and had been accused by J. Edgar Hoover of carrying a Black Panther’s baby. I would have known that she’d miscarried and, in a ballsy, tragic move, presented her dead white child at a press conference. I would have known that she herself had been found dead several years later, in a car in suburban Paris. An impressive chatterbox I would have been, indeed. Instead, I said, “Are you kidding? I love old movies!” mildly insulting the retiree to whom I was speaking.

    Oh well, I thought, any minute and I’ll be face to face with someone new. That’s another fascinating aspect of accomplished socializing, the moving toward and away from conversations as though entering and exiting a freeway. Deftly, a man might say, “That’s just great. John will get a kick out of that. I think I’ll find him and tell him about it.” There are very few stutters or hesitations. There is no feeling that you’ve been interminably captured by someone boring, that a ransom note is forthcoming. Of course, this constant rotating of people requires a knack for remembering names, because decorum requires a final round of handshaking at the end of the evening, during which everyone explains how nice it’s been to meet everyone else.

    The temperature in the room was on the rise. I’d had a few more cocktails and eaten more than my share of the smoked salmon and puff pastry appetizers. I’d chatted with just about everyone there was to chat with, occasionally breaking the rule against lingering. And then my own dear husband bade me to step out onto the balcony. The air outside was crisp and fresh, the skyline stunning. Looking around, I noticed that there were others leaning against the railing, also not talking. It was surely no coincidence that they all looked to be under forty.—Jennifer Vogel