Month: April 2004

  • Hormones on Overdrive

    It’s another spring evening at the Mall of America, where the Glitz store is in full bloom with taffeta and tulle. Pastel Cinderella dresses glimmer under the fluorescent lights, and the skirts bursting from these sleeveless bodices are so lush, they make the satin wedding gown I wore fourteen years ago seem downright drab. I…

  • Women with Vision 2004

    For its eleventh year, the Walker’s annual celebration of female film directors kicks off with the apropos new documentary In the Company of Women, a look at the vital role of female filmmakers in the nineties’ independent-cinema explosion. Though it sometimes feels like a ninety-minute commercial for the Independent Film Channel (which funded it), it’s…

  • Toots & The Maytals, True Love

    For those who know Toots & the Maytals solely from “Pressure Drop”—the best cut on The Harder They Come, the greatest reggae collection ever—a whole world awaits. With Jimmy Cliff, Bob Marley, and Bunny Wailer, Toots has kept on keeping on, even as public interest in reggae outside of Kingston, Jamaica, has dipped and doodled…

  • Los Lobos, The Ride

    East L.A.’s band of wolves have had a thirty-year career of remarkably high-quality work, though that hasn’t always translated into the mainstream success worthy of their talent, their 1987 monster-hit cover of “La Bamba” aside. And although it’s good news to us merely that they’re back with their first disc since 2002’s stellar Good Morning…

  • Diana Krall, The Girl in the Other Room

    Cooing jazz chanteuse Diana Krall met pop-punk icon Elvis Costello at the 2002 Grammys, and so far two great things have resulted—their marriage, and an inspired, romantic collaborative album. Krall is known for giving new life to old standards. Girl In The Other Room, however, breaks that tradition as the first of her eight albums…

  • The Testament of Dr. Mabuse: The Criterion Collection

    Best known for M and Metropolis, director Fritz Lang made this intriguingly offbeat 1933 thriller just before fleeing Nazi Germany—and small wonder he had to. Though the Nazis supposedly offered him a chance to run Hitler’s film industry, they couldn’t have liked the parallels Testament drew between its titular villain, an insane criminal genius, and…